"We've Got Something" - Second in the four-part series 'Project Hollow Point' - Mixed media on plywood. My 152nd painting.

 

October 13, 1977.

#03 - the man who witnessed a grisly double-murder just the day before - was now sitting at that same table again. Same chair and spot. He could still see the bodies lying prostrate, though they had long been removed. The knot in his stomach, turgid and pulsing, mirrored the one in his throat.

#57 - the lead agent - enters the room with an off-white folder in hand. He moves to the table and stops directly across from #03 - lays the folder down, pushes it towards him and continues to the chair at the far right end.

He removes his shades, bearing down on the man several feet away, then cracks a thin smile. The visibly nervous #03 stares back blankly.

“Are you ready?” he asks.
A few quiet seconds elapse.
“Yes.”

TRANSCRIPT FOR REMOTE VIEWING SESSION #149

#57:
This is remote viewing session #149 taking place at 0900 hours on the 13th day of October 1977. This is a pre-session briefing to the remote viewer. I have provided you with a folder containing a photograph of an individual. Your task will be to focus on the individual and report her real time present day location to me.

So now you’re going to relax so the session can begin. Focus only on the individual in the photograph. Move to her real time present day location. Once there, describe all that you see. Concentrate only on the individual in the photograph and her exact present day location. Move to her location now and describe everything to me.

#03:
Dark. Everything is black. It’s hot, very hot.

#57
Move to her exact location in this present moment. Tell me what you see.

#03
It’s - a tunnel, maybe a basement. It’s long, there’s dust or yeah, dust. It’s dirty, there’s a light up ahead, barely visible. Definitely a tunnel. A woman’s voice. Other voices, further away.

#57
Tell me what she is saying. Tell me any words you can hear, from her or the others.

#03
Uuh, it’s muffled, hard to understand. The light is getting closer, it’s getting cooler, not as hot. GUN SHOTS! Oh God! There are shots! Machine guns! Oh God!

#57
It’s fine, relax. Stay with her. Tell me what you see.

#03
She’s running. The others are too, behind her. No more gunfire. Running towards the light.

#57
Tell me who the others are, the ones running behind her.

#03
Getting lighter, the woman - she’s bleeding. Shot, in the leg. Left leg. The others, oh God, the others - women and small children. They’re crying, the small ones.

#57
Describe to me what the woman is wearing.

#03
A uniform. Jumpsuit. Dirty, tattered grey jumpsuit. She’s limping. They’re approaching - a doorway, the light is bright, very bright.

#57
Tell me what you see at the doorway, what is just inside and what is in view from outside.

#03
So bright, hard to see. Very wide doorway, double doors. Metal plate. A metal plate above the doorway.

#57
Check the plate for markings. Tell me what is on the metal plate.

#03
Symbols - no, numbers. Numbers and letters.

#57
Describe to me the numbers and letters. Tell me what the metal plate says.

#03
9-JR-3-OWH

#57
This will be all for today, you’re free to leave.


The agent snatches the photo and folder from the table and sprints from the room.