Wednesday, October 30, 2024

"Wrong in the Mind" - Second in the three-part series 'Jekyll & Hyde' - Mixed media on plywood. My 162nd painting.


The noxious potion froths and fizzes, spilling over and down the sides of the tall glass on the cluttered table.

Toil and trouble with its gaseous fumes, chemical skullduggery in a most unsavory light. The good doctor stares awestruck at his creation, hands trembling, for he knows not the outcome that awaits.

Reaching forth with secondary thought, slivers of doubt and fear cast sweat upon his brow. A secret doorway, once passed through, shall deliver him to unknown and frightening places - nevermore to be the same.
 
Jekyll clutches the glass, raises to his lips and guzzles the unholy elixir, gasping with desperation until the vessel empties. Ataxia - immediate in its charge. His pulse gallops, legs buckle, eyes singe with maddening bloodshot.
 
He finds the floor with a crash, bringing with him several of the items from the table. Wallowing in stupor and spasm, he crawls fiendishly towards the laboratory entrance - preserving less of himself, becoming more of the other.

The break is apparent as monstrous cackling fills the room, slathering the walls and ceiling with deranged abomination.
 
Writhing in disordered cadence - slipping into the unhinged depths of ghastly, irreparable change. His desire to seek a more fulfilling sense of being has led him to this place - this precipice from which there may never be a return.


Parting is such sweet sorrow.

Wednesday, October 23, 2024

"A Strong Feeling of Deformity" - First in the three-part series 'Jekyll & Hyde' - Mixed media on plywood. My 161st painting.

 


How intimately does man know himself? Hidden behind the cloak he must wear in order to move among the righteous and abiding - to languish in muted horror, those dark inclinations whose prowling curiosities seek to free themselves at any tear in weakened seams. A grotesque array of the many masks layered perhaps dozens deep, nested in the cruelty of lies - like Russian dolls of the Soul. Only to deny one’s true nature in a paltry exchange for a wholly false and empty existence.

What is left to discover of such a tormented and abandoned creature? Nothing of substance - just scraps and crumbs of the discarded and easily forgotten.

I will not permit any such trespass to hamper nor destroy the beauty and uniqueness of artifacts placed within me by the deity Most Divine. To do so would be commensurate to the highest form of treason and most ill and treacherous blasphemy against high, holy God himself.


Seek and ye shall find. Knock and the door shall be opened.



Dr. Henry Jekyll

Tuesday, October 15, 2024

"Close to Home" - Final in the three-part series 'Erased' - Mixed media on plywood. My 160th painting.

 


Detective Miles sits at his desk, despondent - staring into space when a knock brings him back.
 
“Yeah.”

The door opens, it’s officer Burns - with a brown paper bag in hand.
“You bring me lunch?” asks the detective.
“Got another one.” replies Burns.

He closes the door, takes a seat and places the bag on the desk.
“Wait til you hear this.” he goes on.

Miles removes his glasses.
“Guy just left, said it was the worst thing he’d ever seen.”

The detective leans back in his chair, interlacing his fingers behind his head.

“It’s a war picture, from a third and different shop location - about halfway through it cuts to this weird shit, two sick fucks beating an old man.”
 
Miles stares through the officer while he gives the rundown.
“He said they nearly kill the guy - and then - they set him on fire.”

Miles takes in a breath and exhales, lowering his arms, crossing them.
 
“But get this - the guy said he knows the old man.”
“Okay.” Miles responds.
“It was his father.”

A very tense and quiet moment passes.

“Well shit.”

ONE HOUR LATER

Detective Miles is seated in Father Burton’s office. The elder priest enters the room, closes the door and rests himself on the plush chair behind his desk.
 
“Say whatever is on your mind.”
 
Miles moves to the edge of his seat, leaning forward.

“Three different cases this week. People buying used videos, movies - not knowing somebody somewhere has recorded snuff films over them.”

The Father lowers his gaze to view the detective over the top of his glasses.
 
“I know you have contacts in - questionable places.”
“I’d like to think I serve the entire community.” Burton informs.
“If you could just, maybe keep your ear to the ground, you hear something, anything - it would help a great deal.” requests Miles.

“Such a loathsome act.” the priest replies.

Detective Miles stands and reaches out his hand. Father Burton acts in kind.

“You will be the first to know, should I come across any relevant information.”

“I appreciate that.” Miles says with a forced grin.

The two exit the office and Father Burton escorts Detective Miles to the front entrance. The older man returns to the nave, slowly making his way up the main aisle. He stops to glance a young man seated alone on a middle pew. Mid 20’s, fidgety. The man turns to see the father staring and offers a nervous smile. The Father nods and continues through the cavernous room - stepping into a confessional. 

It’s only a few moments before the door to the penitent’s compartment is opened and quickly shut.

“In the name of the Father, the Son and the Holy Spirit. Amen.” the Father recites.

“Bless me Father, for I have sinned.”

“It’s fine my son, God’s mercy is plentiful enough for us all.”
“Although, that’s not really true.”

“What’s that?” asks the Father.
“I don’t truly believe I have sinned. It’s just what the world wants me to think. So I can be overcome with guilt and grief and live a miserable life under thumb.”

“Perhaps you’d feel better to unburden yourself regardless?”
“I’m giving the world what it wants. The non-filtered, raw and untamed experience of humanity - at its worst.”

“I’m not sure what you mean.”
“Cowards, living in fear. Liars, whose every action only compounds the lies they tell themselves.”

“It does no man any measure of justice to align himself with the false light.” the Father injects.

“I take the risks, so it is I who should reap the lion’s share of the rewards!” the young man seethes.
 
“Please lower your voice.” Burton politely requests.

A pregnant pause settles into an uncomfortable length.

“We need to reopen discussion on further compensation.” says the young man.
“Let me tell you what is going to happen.” the priest begins.
“You are going to leave here and never return.”

The young man listens, holding his tongue.
 
“You will not compromise this operation, do you understand?”

The confessor is silent.

“Answer me!” the Father demands.
“I understand.”
“Your liaison will be in touch.”


Father Burton leaves the confessional and disappears into the long rear hallway.

Wednesday, October 2, 2024

"Hopeless Romantic" - Second in the three-part series 'Erased' - Mixed media on plywood. My 159th painting.


Olivia enters the living room from the kitchen with a glass of red wine in one hand, a bar of dark chocolate in the other. She takes a seat on the left end of a large puffy floral-designed couch.

Bramston Catsworth, her thirteen year-old orange tabby, is loafed at the opposite end. She glances over, he slow-blinks and yawns.

“What do ya think Brammy, feel like a sappy love story?”

He meows and yawns once more.

“Sounds like a yes to me.”

Olivia eagerly grabs the VCR remote and hits PLAY on the video already inside. One she hasn’t seen but purchased on a whim at her local discount shop.

Thirty minutes in, her glass is empty - time to fetch the bottle. Upon returning, Bramston decides to continue his evening upstairs. She pours herself another glass and resumes the movie.

A driving scene. Beautiful forest views open to a sprawling teal green lake - then a break in the footage. Horizontal lines, visual static, grainy and struggling to focus in black and white - gradually flicker into color. Faded, like a weak signal. What do you expect for secondhand?

Olivia’s concern blooms. The images have shifted from serene to distressing. A woman, early thirties and nude, is pushed onto a bed. A masked individual with his back to the camera enters the frame and pins her down - he too is naked. What begins as common intercourse quickly progresses into much darker activity.

Slapping, punching, verbal assault.

A second unclothed man, also masked, enters the shot. The scene erupts into a frenzy of unmistakable violence. Weapons. Strangulation. At the first sight of blood Olivia leaps towards the VCR - but not before being further jarred by desperately unnerving sounds.

STOP. EJECT.

An accelerated heart rhythm overtakes, eyes tearing up, her mind is fighting for air. She has no idea what she just witnessed but knows something must be done.

One hour later she’s perched on the edge of a recliner with a detective seated on the couch a few feet away.

“At first, I thought it was just some kinky sex tape, ya know? Something that someone recorded over part of the movie, as a prank - but it was - so much worse.”

“I’m very sorry you had to experience that.” he consoles.

“I wanted to throw up - that poor woman. They beat her unconscious.” she quavers.

“They were yelling such horrible things at her and laughing. I’ll never forget those dreadful moans - just before the gurgling.”

Olivia pauses to catch her breath.

“Then I heard a baby crying.”

She crumbles into chaos.

“We’ll go through the tape. We’ll also talk to the shop owner, see what they know.”

Olivia wipes her eyes and clears her throat.

“You need to catch the monsters who did this.”

The detective rises to his feet.

“Justice will be brought, hard and swift, to the guilty parties. I promise you.”


He gently touches her left shoulder and takes his leave.